The Joyful Artist: Personal Growth and Strength equal Success (Coaching Voice and Theatre Talent)

Coaching Voice in Edinburgh, Scotland, Stephanie Vlahos can work virtually and in person to support the development of singers and actors. Having worked professionally as an Opera Singer, Solo Artist, and Stage Director, she brings years of experience from the Stage in her work with emerging and recognized performers.

Singing

Technique is fundamental, empowering, and freeing.

Technique is a feeling entity bringing you closer to your personal style and passion in your vocals. Technique explored through feeling encourages organic and authentic performances, not just in singing, but in acting.

Free Your Inner Beast

Great singing starts with breath. Lessons begin with connecting the breath with the impulse of singing. Freeing the voice. Supporting your unique sound.

Technique is about endowing you with the ability to be your own teacher by teaching you to see your voice as an instrument with an infinite range of possibility.

Coaching Voice for performance, auditions and personal development. All styles supported. You can contact me directly using the formbelow, or via Superprof Community

Coaching the Song or Monologue for Auditions

ACTORS AND SINGERS WELCOME!

Former students include Broadway singers. Dawn Cantwell singer/actress on Sting’s musical The Last Ship. Top opera singers – Angel Blue (Covent Garden, Met Opera, Proms), Julie Adams (Met Opera winner), Danielle and Alana Haim of Haim, Andrew Chapelle and others.

I bring my experience as a Stage Performer and a Stage Director in working with Actors and Singing Actors. Authenticity is often overreached by the eager performer. My goal is to bring out the unique voice of each and every actor through clear intentions invested in the text. Once we parse intention, we explore how to feel it. I have a range of techniques to assist the auditioning young actor or the pro. The work is applicable to Actors and Singing Actors.

Develop your performance in Master Class

Offering Master Classes for schools and studios.

I have brought masterclasses in singing, interpreting, and theatre work to universities such as USC and Duke, as well as summer opera workshops.

My workshops include a variety of techniques to empower actors and singers in organically connecting to words. One workshop explores the dynamic range of certain techniques using masks, beat work, physicalization through absurd text. It has great application for actors and particularly opera singers who, arguably, sing in what first feels like gibberish. How do you authentically render theatre in opera when the words are foreign?

You can contact me via the contact form, better still by Facebook.